101 · New to digital art collecting? · Fall cohort · 20 places · Join before Sept 30 · 101 · New to digital art collecting? · Fall cohort · 20 places · Join before Sept 30 ·

Artist Directory

Ana Maria Caballero

Ana Maria Caballero

A Colombian-American poet and Web3 pioneer who turns literary language into digital art, and who became the first living poet to sell a poem at Sotheby's.

Digital poetry, literary/text-based art, generative art, NFT

Biography

Ana Maria Caballero is a Colombian-American poet and multidisciplinary artist recognized as one of the leading figures in the emerging field of digital and Web3 poetry. Her literary work examines how biological experience, especially pregnancy, childbirth, and motherhood, is shaped and constrained by cultural expectation, pushing back against romanticized narratives of maternal sacrifice and asking readers to reconsider inherited ideas about womanhood and virtue. Over the course of her career she has received significant recognition for this work, including Colombia's Jose Manuel Arango National Poetry Prize, the Beverly International Prize, and the MAXXI BVLGARI Prize, alongside a shortlisting for the international Lumen Prize for digital art. Caballero has been a pioneering advocate for treating poetry as a form of collectible digital art, translating text-based work into blockchain-native pieces that experiment with how a poem can be experienced, displayed, and owned rather than simply read on a page. In 2024 she made history as the first living poet to sell a poem at Sotheby's, a milestone that signaled growing institutional recognition for digital poetry within the broader contemporary art and auction world. She is also the co-founder of theVERSEverse, a digital poetry gallery that showcases and sells text-based artworks by poets working across the Web3 space, giving literary artists a dedicated platform and market that did not previously exist within crypto art. Through curatorial projects like theVERSEverse alongside her own poetic practice, Caballero has worked to expand who gets described as a digital artist, arguing that language itself deserves a place in conversations about generative and blockchain-based creativity. Her exhibitions and sales span galleries, auction houses, and online platforms internationally, continuing to combine formally inventive poetry with a sustained critique of the social and biological narratives placed on women's bodies.

Ready to join?

Want conversations like this with artists like Ana Maria Caballero? That's what 100 collectors membership is for.

join now