Spotlight

Julia Flamingo speaks with Eduardo Kac on making art for extraterrestrial environments and working across decades at the edge of art and science, exploring long durations, patience, and non-human time

Curator Marlene Corbun speaks with Chris Dorland about how digital systems shape images and perception, the physical pressure of interfaces, and why opacity, distortion, and material resistance matter

Korean-American artist Jin Meyerson reflects on how painting became a way to navigate personal displacement and Korea’s post-war history, moving between abstraction, and digital processes.

This is the story of what 100 Collectors lived in 2025: the trips, the conversations, the access, the doubts, the discoveries, and the moments that only happen when you’re truly present.

Since meeting at the Royal College of Art, Virginie Ittah and Kai Yoda have merged their distinct backgrounds into a shared artistic practice where AI and craft, emotion and technology, coexist

Brazilian artist Giselle Beiguelman delves into the history of plants and women who have been silenced, banned, or demonized over the centuries to research how certain forms of knowledge have been mar

From Rio to Berlin, Brazilian artist Gabriel Massan challenges colonial structures, redefines digital media, and turns gaming into an immersive space for critical storytelling and social reflection.

The Korean-German artist, alongside curator Barbara Horvath, discusses 'The End Is Where We Start From' - an exhibition that functions as both a living organism and an artificial landscape

Winner of the Norberto Fernandes Prize for Art and Technology, the Portuguese artist reflects on using AI since 2001 to investigate how it can amplify or distort our sensory and emotional experiences.

Crosslucid is an interdisciplinary artist duo whose work blurs the boundaries between reality and fiction, organic and synthetic, and self and collective identity. Through a fusion of photography, dig

Every two years, dozens of nations worldwide present their autonomous exhibitions in pavilions spread all over the city of Venice. This year, there is only one nation presenting digital art: Malta.

It was an out-of-this-world experience. You see it from the outside: like an earthquake, an act of subversion, a mound of dirt covers the main entrance of the emblematic German Pavilion.