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"Then, I am going to jump to the show I am curating now, "Screensavers". I will be honest with you, it was born out of a tweet I wrote three months ago out of Jerry Salz making fun of all artists, and so I asked twitter who wanted to be part of my show. I received hundreds of messages. [...]
What is the role of the screensaver nowadays? How have we moved passed that? Screensavers in general are the most widespread use of digital art, because every single person who has a computer probably experiences a screensaver.
One of the artists I came across was Yehwan Song. She is a Korean artist that has been only once exhibited in the digital space. I discovered her through Instagram, where she has been sharing these incredible installations [...] She specialises in creating systems of her own creating interactive websites, but also creating these physical compositions that speak to the wider piece, and together it's an ensemble of the concept she is communicating.
She is creating a piece for our exhibition - and this is a spoiler - the piece is called "Save me." It is an incredibly beautiful piece.
She represented Korea at the Venice Biennale; she has done many shows in physical galleries. So I am very excited to bring her forward to the space."
ABOUT
Yehwan Song is a South Korean web artist and designer who creates anti-friendly, non-user-centric, unconventional, and diverse independent websites through which she tries to flip the general understanding of web design and subvert user behaviours. Song aims to illuminate inequalities in the digital environment and reframe digital accessibility.
Ian Margo is a digital artist and researcher exploring computation, language, and systems as artistic media, questioning how code structures meaning, perception, and art today
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Yehwan Song is a South Korean web artist and designer who creates anti-friendly, non-user-centric, unconventional websites to subvert user behaviours
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Nam June Paik brought the television to fine art, treating it as a tactile and multi-sensory medium and object.
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